![]() ![]() ![]() Through this website we will share the journey that we make through the mountains of nostalgic filmposters and other collectibles. We, Joris and Liz, joined forces with graphic designer and film enthusiast Bert to document the comprehensive collection and make it available again to those with a passion for (film)culture. As employees and friends of Eric, we felt a strong urge to continue the legacy of Cine Qua Non. Unfortunately due to unexpected circumstances the shop had to close its doors in November 2016. Famed for its unusual opening hours, impassable aisles, stuffed corners, loud music and cigarette smoke, the cultural treasury of Cine Qua Non became the epicenter of classic, arthouse and avant-garde cinema in Amsterdam. In 35 years his collection of original film posters, film stills, vintage magazines, niche books and quirky dvd’s grew out of control, but more importantly the shop in the Staalstraat became a trusted place, where both residents and random tourists alike, indulged in the religion of nonsense that Eric preached by heart. The story of Cine Qua Non goes back to 1982 when Eric Ipenburg started his shop in the heart of Amsterdam. The Kill Bill: Volume 1 poster is part of a larger collection of film posters. If you have any question regarding this specific poster, please contact us.Ĭan’t get enough of movie paraphernalia? Follow us on Instagram The story of ‘a’ Cine Qua Non poster Score: 4 out of 10 There goes another fetish down the drain.Description Film poster Kill Bill: Volume 1 – Cine Qua Non Independent filmshop You also get music videos for two songs from The 5, 6, 7, 8's plus the teaser and "bootleg" trailers for this film and the teaser for the sequel, due later this month. It's ok but it's nothing compared to, say, the documentaries on the Alien Quadrilogy or The Texas Chainsaw Massacre. Quentin talks about everything, from the story's genesis during Pulp Fiction to how he discovered The 5,6,7,8's while in Japan. All you get is a 20-minute featurette on the making of the film, featuring interviews with Q&U (how they are credited for writing the script) plus a few other folks, with lots of on-set footage. There's little doubt in anyone's mind that a special edition set will eventually come out that combines both movies and is loaded for bear with extras. But you can take my word for it, your mother had it comin'." - The Bride. Packaging and Extras "It was not my intention to do this in front of you. The films are as bold as they are entertaining for that reason. He looked forward, pushed his special effects company Weta into the big leagues by going into uncharted territory. Do you think they would be half as good if Jackson simply recycled his old tricks (Gollum the Feeble hand puppet) and gimmicks from past fantasy films like Legend? Nope. The comparison that comes to mind is the Lord of the Rings series. I'm all for a wink or nod to your influences, but opening with the Shaw Brothers logo or using '70s style sirens when Vernita and The Bride meet isn't clever or inspired, it's recycling. The problem is Tarantino's obsession with the 1970s is so great he can't get away from it. My main objection to Kill Bill isn't the violence. Just as she tells him something of extreme importance, he shoots her in the head. We only hear the voice of Bill (David Carradine) as he wipes blood from her face with a monogrammed handkerchief. 1 opens harshly enough, with a black and white shot of The Bride (Uma Thurman) all beaten up, bloody, bruised and wheezing badly. They belong to me now." - The Bride Kill Bill Vol. The Movie "Those of you lucky enough to have your lives take them with you. ![]()
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